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@article{García Borrero_2021, title={Provocaciones en torno al cortometraje documental cubano en los años sesenta y setenta}, url={http://asaeca.org/imagofagia/index.php/imagofagia/article/view/428}, abstractNote={<p><strong>Resumen</strong>: El Instituto Cubano de Arte e Industria Cinematográficos (ICAIC),&nbsp;creado al poco tiempo de acaecida la Revolución en 1959, se propuso desde el&nbsp;comienzo impulsar un cine comprometido con los cambios que estaban&nbsp;ocurriendo. En este sentido, el modelo documental era el apropiado para&nbsp;exaltar el proceso revolucionario en curso. Sin embargo, esta “escuela cubana&nbsp;de cine documental” no englobaba todo el cine producido en Cuba por aquellos&nbsp;años. El propósito de este artículo consiste en poner en tensión el enfoque&nbsp;icaicentrista en el estudio del cine cubano a través del análisis de las&nbsp;circunstancias, los debates y los intercambios que suscitaron en el ámbito&nbsp;político, cultural y cinematográfico dos obras que se desviaban del canon&nbsp;legitimador del cine revolucionario: PM (Sabá Cabrera Infante y Orlando&nbsp;Jiménez Leal, 1961) y Gente de playa (Néstor Almendros, 1961).</p> <p><strong>Palabras clave</strong>: escuela documental cubana, enfoque icaicentrista, ICAIC, PM,&nbsp;Gente de playa.</p> <p><strong>Abstract</strong>: The Cuban Institute of Cinematographic Art and Industry (ICAIC, in&nbsp;Spanish), created shortly after the Revolution in 1959, set out from the&nbsp;beginning to promote a cinema committed to the changes that were taking&nbsp;place. In this sense, the documentary was the appropriate model to exalt the&nbsp;revolutionary process underway. However, this "Cuban documentary school"&nbsp;did not include all the films produced in Cuba in that period. The purpose of this&nbsp;article is to question the ICAIC-centered approach in the study of Cuban&nbsp;cinema, by analyzing the circumstances, discussions and exchanges that arose&nbsp;in the political, cultural and cinematographic field as a result of two films that&nbsp;deviated from the canonical legitimation of the Revolution: PM (Sabá Cabrera&nbsp;Infante and Orlando Jiménez Leal, 1961) and Gente de playa (Néstor&nbsp;Almendros, 1961).</p> <p><strong>Key words</strong>: Cuban documentary school, ICAIC-centered approach, ICAIC, PM,&nbsp;Gente de playa.</p>}, number={12}, journal={Imagofagia}, author={García Borrero, Juan Antonio}, year={2021}, month={dic.} }