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TY - JOUR
AU - Fraticelli, Damián
PY - 2021/12/12
Y2 - 2024/09/18
TI - Lo cómico, el directo y la ficción. Las modalidades de enunciación de los programas cómicos en vivo
JF - Imagofagia
JA - Imagofagia
VL -
IS - 05
SE - Teorías
DO -
UR - https://asaeca.org/imagofagia/index.php/imagofagia/article/view/686
SP -
AB - <p><strong>Resumen:</strong> En este trabajo se describen los modos de enunciación de los programas cómicos transmitidos en directo. Se analiza cómo la emisión en directo y la ficción condicionan la producción de lo cómico y se examina la manera específica en que trabaja el dispositivo de la ficción en directo. Luego, se describen las distintas modalidades en que los programas cómicos en vivo configuraron su enunciación condicionados por ese dispositivo. Los programas que se analizan son: <em>Viendo a Biondi </em>(1961-1969)<em>, Los Benvenuto </em>(1991-1995) y<em> Cha-cha-cha. Dancing en el Titanic </em>(1995)<em>.</em></p><p><strong>Palabras claves</strong>: Cómico, Emisión en directo, Televisión, Programas Cómicos.</p><p><strong>Abstract:</strong> This paper describes the modes of enunciation of live television sketch comedy programs. It analyzes the way fiction and live broadcasting influence production in comedy as well as the specific operations of fiction in live broadcasting, in programs such as <em>Viendo a Biondi</em> (1961-1969), <em>Los Benvenuto</em> (1991-1995) and <em>Cha-cha-cha. Dancing en el Titanic</em> (1995).</p><p><strong>Keywords</strong>: sketch comedy programs, live broadcast, television, fiction.</p>
ER -